Do I need a REEL for film & television?
Can a MANAGER negotiate my contracts?
Can I have more than 1 REPRESENTATIVE?
How or should I FOLLOW UP after an interview/audition?
How can have a successful INTERVIEW?
Is it better to FREELANCE than to sign with a representative?
Can I just drop by any REPRESENTATIVE or CASTING office?
How can I NETWORK effectively?
When do I need a PUBLICIST?
What is TAX DEDUCTIBLE?
How do I find a THERAPIST?
What should I put on a REEL?
When should I join the UNIONS?
What's the difference between an AGENT and a MANAGER?
Do I need a special ACCOUNTANT to do my taxes?
How do I get REPRESENTATION?
How much does it cost to join SAG, AFTRA and/or AEA?
WHAT can I be doing when I am not AUDITIONING?
How do I stay in touch with my AGENT and/or MANAGER?
How do I get paid when I have a REPRESENTATIVE?
Isn't NETWORKING just going to parties?
What is FREELANCING?
What is a PUBLICIST?
What are the BREAKDOWNS?
ACT I - GETTING HERE
ACT II - GETTING STARTED
ACT III - GETTING AHEAD
TO BE OR NOT TO BE: UNION VS. NON-UNION
REPRESENTATION
ARE YOU READY?
AGENTS/MANAGERS
AGENTS
MANAGERS
THE BREAKDOWNS
FREELANCING
LEGIT (NON-COMMERCIAL) FREELANCING
WHEN TO HAVE BOTH AGENT & MANAGER
COMMUNICATING WITH YOUR REPRESENTATIVE
COMMUNICATION BETWEEN REPRESENTATIVES
GETTING PAID
HOW TO LEAVE YOUR REPRESENTATION
OTHER REPRESENTATIVES
COVER LETTERS
INTERVIEWING
NETWORKING
MARKETING
TAKING CARE OF YOURSELF
EARNING A LIVING BETWEEN ACTING JOBS
HOW DO I KNOW WHEN IT'S TIME TO GET OUT OF THE BUSINESS?

COMMUNICATION BETWEEN REPRESENTATIVES

As with any relationship, communication is vital, and this applies to agents and managers working together.

You may run across small agencies that will not work with managers. Generally, that is because they are small enough to provide them with the services a manager already provides. The larger agencies will work with managers because managers can stay on top of all the minute details and this saves the large agency both time and effort.

When you are signed to an agent and a manager, generally appointments go through the agent and funnel to the manager and then to the client, where they are discussed. Managers will generally provide information to the agent regarding people in the industry that are impressed with their client, thus helping the agent secure appointments where there is a mutual connection. When negotiating, the agent generally receives the offer and presents it to the manager, who will then confer with the client. Then the manager will work with the agent to come up with an acceptable contract, or if all parties are in agreement, walk away from the offer presented.

I believe the manager has the most uniquely important role in this trio because he/she best knows the client's desires and needs from being involved in the actor's day-to-day business and personal activities. A manager also usually has an established relationship with any agent who has been brought on board. Of course, not all of these "trio" relationships turn out rosy, but I feel with excellent communication from all involved it can be a rewarding arrangement.








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